At f16 and f11, these grew larger and more diffused, but didn’t become truly hard to see until you were working at apertures of f8 and above. Support this site by shopping via these linksĪt f22, a number of dust marks were quite visible, and we’ve shown a 100% crop of a typical offender above left – there’s no need to do a levels adjustment here. The A350 and DT 18-70mm (zoomed-into 70mm) also managed to stay focused on vehicles approaching face-on at 50kph, capturing sharp sequences in AF-C mode using the viewfinder. In use the A350 certainly feels quicker than its predecessor and also focuses a little more quietly too, although it’s far from the virtual silence of Canon’s USM, Nikon’s SWM or Sony’s own SSM system. Like the A200, Sony’s fitted a higher-torque AF motor to the A350 and claims an improvement in speed over the A100 of 1.7 times. Unlike the higher-end A700, there’s no AF clutch on the back of the A350, so you’ll need to switch from AF to MF by the lens mount to disengage the focusing motor for manual focusing. Like the earlier A100, you’ve the choice of single-shot AF-S, continuous autofocus AF-C, or a hybrid AF-A mode which automatically switches between AF-S and AF-C. The Alpha A350 is equipped with the same 9-point AF system as the A200 and A100 with a centre cross sensor, and like earlier Alphas, the system can be started as you look through the viewfinder this can indeed save time, but many DSLR traditionalists will prefer to switch it off and go for a half-press of the shutter release instead. It’s still clearly a very useful facility to have built-into the camera – especially as it works with any lens you attach. As always, the lens, conditions and the photographer themselves can produce different results.Īchieving three stops of compensation in real-life is a respectable result, and once again the proves the usefulness of Sony’s Super SteadyShot system. A shutter of 1/6 corresponds to three stops of compensation over the 1/50 non-stabilised shot, and four stops over the 1/100 speed suggested by traditional advice. Without Super SteadyShot, the slowest shutter speed with which we could achieve a sharp image (at an equivalent of 105mm) was 1/50, whereas with Super SteadyShot enabled we achieved sharp results down to shutter speeds of 1/6. Our sequence started at 1/100 and reduced by one stop each time until 1/3.ġ00% crop, 18-70mm at 70mm, 1/6, 100 ISO, SSS on To test the effectiveness of the A350’s built-in stabilisation we took a serious of photos with the DT 18-70mm zoomed-into an equivalent of 105mm where traditional photographic advice would recommend a shutter speed of approximately 1/100 to eliminate camera shake. Like other Alphas, there are at least indicators in the viewfinder (and on-screen during Live View) which show how hard the system’s working, or when it’s gone beyond its capabilities. And due to the way Sony has implemented Live View on the A350, you won’t see a preview of the stabilising effect on-screen either. The downside is that you won’t see the stabilising effect through the optical viewfinder, which can be annoying when framing at longer focal lengths. With the A350, Sony claims improved performance over the debut A100, with between 2.5 and 3.5 stops of compensation depending on the lens and shooting conditions.Īs with all sensor-shift stabilised solutions, the major benefit is that it works with any lens you attach, new or old, wide or long, prime or zoom. This moves the entire sensor platform in two axes and is branded by Sony as Super SteadyShot. Like all Alpha DSLRs, the A350 is equipped with sensor-shift image stabilisation to combat camera-shake. See our results and gallery pages to see how this budget lens copes with the 14 Megapixel demands of the A350. The build quality is ok for a budget bundle, but like most kit lenses, there’s not much of a manual focusing ring to speak of, and both it and the end element rotate while focusing. This is the same model supplied with the A100, and offers a slightly longer range than the typical 18-55mm lenses supplied in other kits. The Alpha A350 is typically sold in a kit with the Sony DT 18-70mm lens. Like the A700 and A200 before it, the polished metal surface of the lens mount extends a few millimetres beyond the trademark Alpha orange ring – see photo.Īll lenses attached to the A350 can exploit the camera’s built-in Super SteadyShot stabilisation, and since the A350 employs the same physically sized sensor as previous Alphas, all lenses effectively have their field of view reduced by 1.5 times. The Sony Alpha DSLR A350 employs an A-mount for lenses and is compatible with the complete range of Sony lenses and third party models designed for the Sony or Minolta AF systems, including Sony’s DT models.
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